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	<title> &#187; January 14</title>
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		<title>Thursday gallery openings</title>
		<link>http://doteditions.com/blog/2010/01/thursday-gallery-openings/</link>
		<comments>http://doteditions.com/blog/2010/01/thursday-gallery-openings/#comments</comments>
		<pubDate>Wed, 13 Jan 2010 17:39:05 +0000</pubDate>
		<dc:creator>doteditions</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[January 14]]></category>
		<category><![CDATA[Thursday night gallery openings]]></category>

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		<description><![CDATA[Looks like it&#8217;s another busy night at the galleries tomorrow night! We are heading out to a few openings so look for us there.
Kelsey Bennet &#8220;Hypnagogia&#8221; at Christopher Henry Gallery 127 Elizabeth street, 6-9pm
Contemporary daydreams, Bennett’s narrative constructions combine a strong sense of color with an eye for the graphical gesture. Her characters, variations on [...]]]></description>
			<content:encoded><![CDATA[<p>Looks like it&#8217;s another busy night at the galleries tomorrow night! We are heading out to a few openings so look for us there.</p>
<div id="attachment_1242" class="wp-caption aligncenter" style="width: 450px"><img class="size-full wp-image-1242" title="Kelsey Bennet “Hypnagogia&quot;" src="http://doteditions.com/blog/wp-content/uploads/2010/01/Picture-22.png" alt="© Kelsey Bennet " width="440" height="296" /><p class="wp-caption-text">© Kelsey Bennet </p></div>
<p style="text-align: justify;">Kelsey Bennet &#8220;Hypnagogia&#8221; at <a href="http://www.christopherhenrygallery.com/" target="_blank">Christopher Henry Gallery</a> 127 Elizabeth stree<a href="http://maps.google.com/maps?f=q&amp;hl=en&amp;q=127+Elizabeth+street,+New+York,+NY">t</a>, 6-9pm</p>
<p style="text-align: justify;"><a href="http://artlog.com/events/7701-kelsey-bennett-hypnagogia" target="_blank">Contemporary daydreams,</a> Bennett’s narrative constructions combine a strong sense of color with an eye for the graphical gesture. Her characters, variations on autobiography, peer out at the viewer from within the cathedrals of their private illusions like children caught at an ambivalent game. Archetypes of the everyday, Bennett’s subjects seem to hover in a liminal world poised between reality and fantasy. Her photos vibrate with a subversive formality reminiscent of Cindy Sherman ‘s film stills or William Eggleston’s documents of Americana.</p>
<div id="attachment_1243" class="wp-caption aligncenter" style="width: 450px"><img class="size-full wp-image-1243" title="Yola Monakhov “Photography After Dante” " src="http://doteditions.com/blog/wp-content/uploads/2010/01/Picture-32.png" alt="© Yola Monakhov" width="440" height="292" /><p class="wp-caption-text">© Yola Monakhov</p></div>
<p style="text-align: justify;">Yola Monakhov “Photography After Dante” <a href="http://www.sashawolf.com/">Sasha Wolf Gallery</a>, 10 Leonard Street, 6-8 pm</p>
<p style="text-align: justify;"><a href="http://www.591photography.com/2010/01/yola-monakhov-exhibition-in-new-york.html" target="_blank">For this body of work,</a> Monakhov used Dante&#8217;s Divine Comedy as a source and framework for creating photographs in contemporary Italy. Her approach intended to bring together a canonical text and contemporary life, using the poem to investigate conventions of the photographic medium.</p>
<div id="attachment_1244" class="wp-caption aligncenter" style="width: 450px"><img class="size-full wp-image-1244" title="Alex Prager “Week-end” " src="http://doteditions.com/blog/wp-content/uploads/2010/01/Picture-41.png" alt="© Alex Prager " width="440" height="269" /><p class="wp-caption-text">© Alex Prager </p></div>
<p style="text-align: justify;">Alex Prager &#8220;Week-end&#8221; at <a href="http://www.yanceyrichardson.com/" target="_blank">Yancey Richardson Gallery</a> 535 W 22 street, floor 3, 6-8pm</p>
<p style="text-align: justify;"><a href="http://www.wallpaper.com/art/week-end-by-alex-prager-ny/4201" target="_blank">Focusing on female archetypes </a>- ranging from the temptress to the tempted &#8211; Prager manufactures meticulously staged shots of women both disguised and exposed &#8211; using synthetic wigs, heavy make-up and polyester costumes to capture, as she puts it, ‘women on the edge.’<a href="http://www.wallpaper.com/art/week-end-by-alex-prager-ny/4201" target="_blank"> </a></p>
<div id="attachment_1241" class="wp-caption aligncenter" style="width: 450px"><img class="size-full wp-image-1241" title="Michael Kenna “Venezia” " src="http://doteditions.com/blog/wp-content/uploads/2010/01/Picture-12.png" alt="© Michael Kenna" width="440" height="458" /><p class="wp-caption-text">© Michael Kenna</p></div>
<p style="text-align: justify;">Michael Kenna &#8220;Venezia&#8221; at <a href="http://www.robertmann.com/" target="_blank">Robert Mann Gallery</a> 210 11 avenue, b/w 24 &amp; 25 street, floor 10, 6-8pm</p>
<p style="text-align: justify;"><span><a href="http://www.robertmann.com/exhibitions/upcoming.html" target="_blank">Michael Kenna&#8217;s sixth solo exhibition at the gallery, Venezia</a>, marks the premiere presentation of Kenna&#8217;s photographs of Venice, Italy. The exhibition coincides with the publication of <em>Michael Kenna: Venezia</em>, available March 2010 from Nazraeli Press. With photographs spanning nearly 30 years, the exhibition reflects the quintessentially patient, quiet method of looking for which Kenna has become legendary.</span></p>
<div id="attachment_1245" class="wp-caption aligncenter" style="width: 450px"><img class="size-full wp-image-1245" title="Jacob Aue Sobol “Sabine and I, Tokyo” " src="http://doteditions.com/blog/wp-content/uploads/2010/01/Picture-61.png" alt="© Jacob Aue Sobol" width="440" height="294" /><p class="wp-caption-text">© Jacob Aue Sobol</p></div>
<p style="text-align: justify;">Jacob Aue Sobol &#8220;Sabine and I, Tokyo&#8221; at <a href="http://www.yossimilo.com/" target="_blank">Yossi Milo Gallery</a> 525 W 25 street, 6-8pm</p>
<p style="text-align: justify;"><a href="http://www.yossimilo.com/exhibitions/2010_01-jaco_aue_sobo/" target="_blank">Jacob Aue Sobol’s series <cite>Sabine</cite> (1999-2001) </a>chronicles three years the artist spent in the settlement of Tiniteqilaaq in Greenland, his life as a fisherman and hunter, and his intimate relationship with Sabine and her family. The series of black-and-white photographs is a visual diary of a love story and daily survival, capturing private moments with Sabine contrasted with the harsh arctic environment of the east Greenlandic coast.</p>
<div id="attachment_1246" class="wp-caption aligncenter" style="width: 450px"><img class="size-full wp-image-1246" title="Denis Darzacq “Hyper” " src="http://doteditions.com/blog/wp-content/uploads/2010/01/Picture-71.png" alt="© Denis Darzacq " width="440" height="306" /><p class="wp-caption-text">© Denis Darzacq </p></div>
<p style="text-align: justify;">Denis Darzacq &#8220;Hyper&#8221; at<a href="http://www.laurencemillergallery.com/" target="_blank"> Laurence Miller Gallery</a> 20 W 57 street, floor 3, 6-8pm</p>
<p style="text-align: justify;"><a href="http://www.laurencemillergallery.com/darzacq_hyper.html" target="_blank">HYPER refers to the new garish supermarkets in Paris and Rouen</a> where consumer goods, brightly packaged and presented, make for a vivid and contemporary backdrop for his pictures. Darzacq brings street dancers, mostly young men and women in their late teens and early twenties into these stores and asks them to perform their leaps, jumps, twirls, and other gravity-defying movements.</p>
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