Author:


Recent projects: underwater images by Jose d’Ornellas

Posted by on June 29, 2010

Long-time friend and client of Dot Editions, Jose d’Ornellas recently came to get his latest series of images scanned and prepared for output from his underwater photography adventures. During his latest trip he traveled to Indonesia for scuba diving and underwater exploration with his camera.

all images © Jose d'Ornellas

Jose was born in Peru and educated in England, and has traveled to distant areas of the world, including the Red Sea, the Galapagos Islands, and the Solomon Islands on diving and photography excursions.

all images © Jose d'Ornellas

Currently he is involved in the development of a book devoted to the history of scuba diving; his work is represented in private collections around the world.

Photos from our discussion on New Options for Portfolios

Posted by on June 14, 2010

Below are some photos from last Wednesday’s event discussing new printing choices and custom binding options for photographers’ portfolios. Thank you to Maggie Soladay, for putting in her two cents on what works for her when calling in photographers’ portfolios as a photo editor, and to Judy Ivry for displaying her wonderful book bindings. And thank you for everyone who came out to the studio in the downpour!

Maggie discussed her experience as a photo editor, from calling in books to working with various photographers. Looking at printed portfolios allows her to easily see the quality of imagery that a particular photographer is capable of producing.

Photographers looked at portfolios that were printed with a digital, short-run press. Finally, there is an affordable option to using plastic sleeves or printing your portfolios at home on your desktop printer.

Judith Ivry, a bookbinder with twenty-five years experience, brought samples of books that she has bound for various artists. Working with a bookbinder yields  hand-crafted, custom choices for photographers who really want their book to stand out.

Rocky discussed the printing options that we now have available for photographers. He is holding a page from a portfolio we recently printed for Michel Leroy, who replaced his plastic sleeved portfolio pages with prints from the digital short-run press. He was able to use the existing post-binding portfolio covers he already had invested in, and produced five outstanding new portfolios for an affordable price.

If you missed this event, and you’re interested in seeing some portfolios options yourself, please contact us at the studio! We want to help more photographers GO SLEEVELESS!

20 Questions for Haik Kocharian

Posted by on June 14, 2010

This week we are featuring Haik Kocharian, a photographer who came to Dot Editions for exhibition printing for his project with African Services’ Positive Kids 3. The exhibition was a benefit event for African Services, a grassroots organization that provides HIV services in Ethiopia. To read more about his experience with this project, go here.

The images included below are from his project, Part of the Past.

© Haik Kocharian

What is your earliest memory of making art?
I was born into an artistic family, both my parents were professional theater actors, my father was also a painter so I guess art or experience of art has been with me since day one.

What is your first experience with photography?
A friend of mine gave me an old 35mm photo-camera and said “do you want this, I found it in my garage?”  I was 17 years old, the rest is history.

© Haik Kocharian

What is the greatest lesson you have learned about your art practice?
That art must serve a larger purpose of inspiring others and improving the lives of those in need of help.

From whom did you learn it?
No one really, just started walking around New York and shooting everything and with time I stared to develop my own sense of style.

How did you learn photography?
I studied photography in Brooklyn College.

How did your career start?
I accidentally met a art dealer and showed him my portfolio, he liked it and offered to do a solo show at his gallery, just like that.

© Haik Kocharian

What were your difficulties starting out as a photographer?
Developing a voice, a style, a signature, something that can be recognized as my own. That takes a lot of effort and time. Nothing in art happens over night.

How did you develop your style?
Shooting a lot, everything, people, objects, building, streets, landscapes, everything, and slowly developing a sense of what works.

What artist do you most identify with?
My early influences include Henri Cartier Bresson and Robert Frank

What is the most important idea in your art?
Touching people’s hearts.

© Haik Kocharian

What qualities do you think makes a good artist?
Love and devotion towards their work

Do you take photographs every day?
I think about the project everyday, preparing in my mind all the logistics, both creative and technical, then I start shooting which can take somewhere between 1-6 month or longer.

Do you ever find yourself in a creative block? If so, how do you get out of it?
No, I’ve never experienced creative block.

What turns you on creatively, spiritually, or emotionally?
My inner drive, my internal conflict, my sense of the world around me.

What turns you off?
Fear, laziness, dependence.

What is your biggest shortcoming as an artist?
I don’t have time to think of that, too much to do and learn.

How has your work changed due to the photography industry’s evolution?
It made it easier, I love computers as much as I love darkroom.

© Haik Kocharian

What has been your most difficult learning curve as an artist?
Developing the inner strength to succeed.

What advice do you have for emerging artists?
Just create, and have fun with it, the rest will come.

What have you been working on recently?
Currently I have completed my next exhibition proposal titled “Release” which was photographed in India and revolves around the subject of cremation.